{"id":5658,"date":"2021-07-14T15:31:37","date_gmt":"2021-07-14T11:31:37","guid":{"rendered":"https:\/\/www.rivistazoom.it\/?p=5658"},"modified":"2021-07-14T13:31:38","modified_gmt":"2021-07-14T11:31:38","slug":"kennyhoopla-il-nuovo-cd-survivors-guilt-the-mixtape","status":"publish","type":"post","link":"https:\/\/www.rivistazoom.it\/index.php\/2021\/07\/14\/kennyhoopla-il-nuovo-cd-survivors-guilt-the-mixtape\/","title":{"rendered":"KENNYHOOPLA: IL NUOVO CD \u201cSURVIVORS GUILT: THE MIXTAPE\u201d"},"content":{"rendered":"\n<p>Il nuovo CD di Kennyhoopla va oltre tutto, \u00e8 uno dei pi\u00f9 emozionanti del 2021. Dal primo accenno di collaborazione tra lui e Travis Barker nel pezzo &#8220;estella&#8221; era chiaro che qualcosa stava succedendo.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"2560\" height=\"1708\" src=\"https:\/\/www.rivistazoom.it\/wp-content\/uploads\/2021\/07\/img_8359-1.jpg\" alt=\"\" class=\"wp-image-5657\" srcset=\"https:\/\/www.rivistazoom.it\/wp-content\/uploads\/2021\/07\/img_8359-1.jpg 2560w, https:\/\/www.rivistazoom.it\/wp-content\/uploads\/2021\/07\/img_8359-1-300x200.jpg 300w, https:\/\/www.rivistazoom.it\/wp-content\/uploads\/2021\/07\/img_8359-1-1024x683.jpg 1024w, https:\/\/www.rivistazoom.it\/wp-content\/uploads\/2021\/07\/img_8359-1-768x512.jpg 768w, https:\/\/www.rivistazoom.it\/wp-content\/uploads\/2021\/07\/img_8359-1-1536x1025.jpg 1536w, https:\/\/www.rivistazoom.it\/wp-content\/uploads\/2021\/07\/img_8359-1-2048x1366.jpg 2048w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<p>E non \u00e8 solo che il batterista dei Blink-182 sta usando la sua piattaforma non trascurabile per dirigere lo sguardo del rock verso il nuovo arrivato: il suo caratteristicosound&nbsp;crea il tipo di ritmo e sfida che tiene sia Kenny &#8211; che l&#8217;ascoltatore &#8211; sulle spine con un effetto esilarante.<\/p>\n\n\n\n<p>ll&nbsp;momento pi\u00f9 bello dell&#8217;uscita&nbsp;arriva con&nbsp;&#8220;hollywoodfa&nbsp;sucks&#8221;,&nbsp;una canzone nel pi\u00f9 puro&nbsp;stile&nbsp;pop-punk con un ritornello&nbsp;molto spiritoso:&nbsp;\u201cCan you&nbsp;please&nbsp;moveyour&nbsp;Prius&nbsp;\/ You are&nbsp;not&nbsp;fucking&nbsp;Jesus&nbsp;\/ And he&nbsp;hatesLA\u201d.&nbsp;<\/p>\n\n\n\n<p>Poi troviamo&nbsp;\u201cturn back time\u201d&nbsp;con tutto lo spensierato abbandono dell&#8217;adolescenza, e il tipo di ritornello che richiede&nbsp;un&#8217;apparizione a qualche&nbsp;festival. Allo stesso modo, se c&#8217;\u00e8 un&nbsp;pezzo&nbsp;che&nbsp;richiede un posto a met\u00e0 pomeriggio al Reading &amp; Leeds \u00e8 &#8220;Smoke&nbsp;break\u201d.<\/p>\n\n\n\n<p>La title track \u00e8 feroce, con urla hardcore all\u2019inizio, in contrasto con il malinconico &#8211; ma con un ritornello di botta e risposta killer \u2013 \u201cinside heaven\u2019s mouth, there isa sweet tooth\u201d . Chiunque abbia abbinato questo duo merita una medaglia.<\/p>\n\n\n\n<p class=\"has-text-align-right\">Articolo a cura di Martina Nardoni<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Il nuovo CD di Kennyhoopla va oltre tutto, \u00e8 uno dei pi\u00f9 emozionanti del 2021. 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